Far be it from me, your trusted informant on all matters worth knowing to keep disparaging an honorable gentleman for his youthful foibles, but it would seem the Earl of Bainbridge has succumbed to the lure of face paint and a pair of well-turned ankles once more. Indeed, they are the very same pair that drove him from England’s shores before he ascended to his current title. While his father no doubt applauds his son’s recent endeavors amongst the corps de ballet from beyond the grave, no doubt the present earl’s grandfather takes a considerably dimmer view of recent events and of the lovely Miss Nettie Pomeroy, darling of the Arcadian music hall.
Loyal readers will remember the stir Miss Pomeroy created several years ago when, as one Miss Venetia Crawley, the natural daughter of the former Duke of Graydon, she brazenly attended Lord and Lady Esterly’s ball on the arm of young Bainbridge (then Viscount Dutton). Rumor had it that without the swift intervention of his closest friend, the current Duke of Graydon and Miss Pomeroy’s half-brother, her duplicity would have escaped detection and the Bainbridge earldom would have discovered a veritable cuckoo in its nest. Thankfully, she was routed in time and disappeared to parts unknown at the time of this printing.
While it is understandable how a young man can easily be led astray by a pretty face one would think that an older, more experienced man should have grown immune to that same face. Sadly, that has not been the case with Lord Bainbridge. How must the current Duke of Graydon be feeling about having this blight on his family turn up after believing himself well-shed of the grasping interloper? One must also ask about the mysterious goings on at the Arcadian as well and the sinister dealings of her owner, Morgan O’Banyon. Just what is the truth about his relationship with the fair Miss Pomeroy?
Never fear dear readers! Your intrepid informer shall keep you apprised as I uncover the answers to all your questions.
S. Clemens, Esq.
About the Book
Caelan Hennesy meets the young woman of his dreams in a Paris museum. She is educated, beautiful and refined – everything his family and society require of his bride.
Venetia believes she has found her prince, and she is certain that their love is strong enough to overcome the scandal of her birth. Venetia is the lovechild of a duke and his commoner mistress. When her half-truths and lies of omission are exposed, a disillusioned Caelan walks away, leaving Venetia at the mercy of a ruthless enemy.
Nine years later Caelan, now the Earl of Bainbridge, discovers Venetia is now a dazzling music hall dancer named Nettie Pomeroy. Nettie wants nothing to do with the man who walked away from her. Still, neither one of them can deny the passion or the love that continues to bind them together. As Nettie and Cal continue fighting their feelings, an enemy draws closer determined to bring harm to people Caelan cares about. Will Caelan be able to protect the one woman he refuses to surrender again, and will Nettie trust him enough to open her heart for a second chance at love?
It was hot and difficult to breath stuffed halfway into the heavy, canvas sack. Her legs and feet remained cold though, because she still wore her gauzy costume from tonight’s performance. Venetia had fought the men who’d abducted her, kicking and screaming for help only to have a large, meaty hand clamp over her mouth, and then came the sack. She’d had a short burst of satisfaction when the wooden block in one of her toe shoes connected squarely with the twig and berries belonging to the other one of her captors. He’d threatened to hurl her against the wall, but the man with the meaty hands threatened him with far worse if he harmed her. Now she lay in the back of a cart where they’d tossed her hours ago, her arms and legs bound tightly together, a foul-tasting gag in her mouth, sick with fright.
There was no question in her mind that the new Duke of Graydon had found her. She’d thought taking a stage name would offer enough protection, but clearly, she’d been wrong. The luck Venetia found on her arrival in Paris had completely deserted her today. First, her grand debut in the lead role for tonight’s performance of ‘Giselle,’ hadn’t been good enough to secure a permanent place outside the corps de ballet, shattering her dreams of one day becoming a premiere danseuse, and now Graydon and his mother had hired these two ruffians to abduct her. She would likely be killed and her body thrown into the sea.
After an eternity, the cart came to a stop and Venetia found herself being lifted and carried with extraordinary gentleness. She struggled in the arms holding her, earning a harsh obscenity from the man she’d previously kicked, but the ruffian carrying her merely leaned closely and whispered to her. “Don’t thrash around now, little blossom. Ye might do yourself an injury.” She heard the sounds of raucous laughter and cheers, of tankards being clashed together along with the smells of ale and wine. She was transferred to the other man who roughly threw her over his shoulder before climbing a set of stairs. A door creaked open and suddenly Venetia felt herself fly through the air and abruptly land on a bed.
“Why’d ye go and do that, Jeb? You could a hurt her!” The gentler of her captors eased her into a sitting position inside the stifling darkness of her sack. “Don’t you worry,” his disembodied voice assured her. “Won’t nobody here hurt ye.”
“Are you so certain of that, Luther?” came a cold, low voice from across the room, and Venetia’s throat contracted painfully around a hard lump of absolute terror at the sound of it.
Available through Amazon Kindle and print
About the Author
Stephanie Patterson began her writing career at age three by designing her own symbol alphabet to represent words and emotions. Writing has always been her first love, which prompted her to begin her first novel, a civil war epic at the age of eight. Her debut romance, “Playing for Keeps,” was published under the pen name, Stephanie Salinas. “The Woman in Question,” a contemporary romantic thriller published under her own name, followed a couple of years later.
Patterson’s series, “Season of the Furies,” a Victorian romance trilogy about three, beautiful debutants who must atone for a despicable act, is now complete. 2020 saw the publication of the first book in her new series, “Tales from the Arcadian,” which follows the performers of a London music hall in 1862. Book one, “Bobby Dazzler,” is currently available in both e-book and print editions.
Patterson is a resident of northern Oregon and comes from a criminal defense background where she worked on all types of cases from petty theft to capital murder and murder for hire in both the state and federal criminal systems. When not writing, she practices and teaches the ancient divination art of cartomancy – a fancy way of saying tarot reading, as well as works on her community’s month-long Halloween festival, ‘Spirit of Halloweentown.’™
FaceBook Page: Stephanie Patterson Writes Books