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Exposing the Truth

Welcome, devoted readers of the Teatime Tattler. My name is Tess Cochran, investigative reporter for the Weekly Informer, and I am here to bring you the truth. What truth, you ask? The truth behind the spiritualist craze sweeping our good nation. Now, this reporter can make no claim regarding the existence or non-existence of ghosts or spirits. But what I aim to reveal are the secrets behind the so-called mediums and other spiritualist practitioners who have made it their goal in life to defraud good people such as yourselves with false spirits.

Only yesterday, I attended a seance performed by the well-regarded medium Madame Xyla. Like others of her ilk, she exudes a mystical charm and an air of competence that lure her audience to believe her pronouncements. Aided by a room shrouded in darkness, magicians’ tricks of moving tables, mysterious noises, and sleight-of-hand create a compelling illusion of ghostly visitations.

To add to the allure of the seance, this event also hosted a spirit photographer peddling his wares. Still all the rage in America, in recent years these trick photographs have gained popularity and created a host of devoted believers on our side of the Atlantic. No mere portrait, these. For a price, Mr. Jack Weaver will pose you before the camera, using his knowledge of the art of photography to create a faint “spirit” standing or hovering beside you—a visitation, he says, by a dearly departed friend or relative.

Spirit Photography Fiction

But how does this trickster accomplish such a feat? One has heard, I am certain, of the double-exposure: a technique where two images are imprinted on the same photograph. During my own sitting, I saw no evidence to suggest that Mr. Weaver used such a method, but there are other, less obvious techniques, and I intend to learn them all. Rest assured, I will be keeping a close eye on Mr. Weaver as I delve into his mysterious art.

Thanks to the generosity of a friend, I have acquired an invitation to the greatest spiritualist gathering of our time: a contest held at the remote (and reportedly haunted) castle home of the Earl of Bardrick. This two-week gathering of the most popular spiritualists of the day will give me a once-in-a-lifetime opportunity to bring to light the truth of these con artists. And you, dear readers, are the first to know of it.

Wish me luck, my friends. With my notebook and pen in hand, and a determination to save the good people of England from those who would swindle them, I prepare to depart. Be sure to watch for the Weekly Informer, where soon I will lay the truth bare for the world to see. Until then, I bid you farewell.

-T. Cochran, journalist and champion of truth

About the book:

Follow Tess’s adventures as she seeks the truth and tangles with roguish spirit photographer Jack Weaver in The Scoundrel’s New Con, a fairy-tale inspired Victorian romance set in the Lady Goosebury’s Tales shared world.

The Scoundrel's New Con

He’s pulling the con of a lifetime. Unless she exposes the naked truth.

Conman Jack Weaver has his eyes on the prize. The arrogant Earl of Bardrick has offered five thousand pounds to anyone who can prove his castle is haunted. With money like that, Jack can ensure he’ll never end up on the streets or in prison again. And his spirit photography skills are just the trick needed to convince all of the earl’s houseguests to believe in something unseen.

Investigative journalist Tess Cochran believes in one thing: the truth. She’s not going to let phony ghosts and trick photographs swindle anyone, even a snobbish aristocrat like Bardrick. And she’s certainly not going to let herself be swayed by Jack Weaver’s charming smile and mischievous antics.

When Jack and Tess stumble upon one of the castle’s many secrets, they realize something nefarious lurks behind the earl’s competition. To solve the mystery, these rivals forge a reluctant partnership. As they strip down the facts, Jack and Tess begin to find that the deepest truths may be concealed in their hearts.

Pre-order your copy here.

About the Author:

Award-winning author Catherine Stein believes that everyone deserves love and that Happily Ever After has the power to help, to heal, and to comfort. She writes sassy, sexy romance set during the Victorian and Edwardian eras. Her books are full of action, adventure, magic, and fantastic technologies.

Catherine lives in Michigan with her husband and three rambunctious girls. She loves steampunk and Oxford commas, and can often be found dressed in Renaissance Festival clothing, drinking copious amounts of tea.

Spirit Photography Fiction

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Here There Be Pirates

Dear Mr. Clemens,

I write with a warning for all who may consider a journey to the West Indies. The British Government wishes us to believe that Pirates no longer rule the waters of the Carribbean. That the so called ‘golden age of piracy’ ended with the captures and deaths of Edward Teach–commonly known as Blackbeard and Bartholomew Roberts. However, this is far from the case.

Image Courtesy of Wikipedia

I know from my own experience that Piracy is alive and thriving in the Carribean and the coastal waters of the former Colonies. Our government calls it ‘privateering,’ and claims that such persons as Mr. LaFitte of New Orleans and the infamous Irish Red–supposedly of Jamaica have letters of marque placing them under the protection of legitimate governments and preventing our Navy from summarily executing them when captured.

This is a deception most foul and it must stop. I recently embarked on the merchant ship Tally Ho, returning to England from a visit to my sister who lives in St. Martin. We were three days out of port when sails were sighted on the horizon. Soon enough, it became obvious that the approaching ship was The Dragon’s Rest, flag ship, if you will, in the flotilla led by the pirate–I refuse to dignify this rapscallion with the title privateer, Irish Red.

The Tally Ho was out gunned and its Captain, poor man, unable to outrun or out manuever The Dragon’s Rest. We were boarded and subjected to a most humiliating search. All valuables were seized and our lives threatened, lest we refuse to give over all money, jewels and important papers. Thought what a pirate wants with bonds, certificates and government documents is beyond me.

As a last humiliation we were all assembled on the main deck and forced to kneel, heads bowed for that scum of the oceans Irish Red to inspect each of us personally. I thank heaven he chose to pass me by, though the woman next to me had her chin lifted and was forced to look the heathen in the face.

We were told that because of our cooperation our lives would be spared and the Tally Ho would not be confiscated. The pirate crew returned to their ship and departed. Thankfully no passenger was seriously hurt, although several of our valiant crew suffered wounds in attempting to prevent the pirates from boarding.

Frankly I was astonished that we escaped so easily. However, I was even more astonished to learn from the woman who was forced to face Captain Irish Red that the man is no man at all. It is an insult to the British Navy that it has allowed this renegade female to rule the Carribean for so many years. I call upon our government to do its utmost to capture this woman, and I most emphatically warn all my fellow citizens not to sail in Carribbean waters without well armed naval escort. Heed this warning or you will certainly lose your fortunes and may well lose your lives.

Sincerely yours,

She who shall never again leave England.

A word about this post. This week I will begin my next story, which centers around the character known as the pirate Irish Red. The article above lays some of the preliminary ground work for Irish Red’s book. You can expect to see more about her and her adventures in the next few months. Thank you all for reading and sharing.

About Rue Allyn:  Award winning author, Rue Allyn, learned story telling at her grandfather’s knee. (Well it was really more like on his knee—I was two.) She’s been weaving her own tales ever since. She has worked as an instructor, mother, sailor, clerk, sales associate, and painter, along with a variety of other types of employment. She has lived and traveled in places all over the globe from Keflavik Iceland (I did not care much for the long nights of winter.) and Fairbanks Alaska to Panama City and the streets of London England to a large number of places in between. Now that her two sons have left the nest, Rue and her husband of more than four decades (Try living with the same person for more than forty years—that’s a true adventure.) have retired and moved south.

When not writing, enjoying the nearby beach or working jigsaw puzzles, Rue travels the world and surfs the internet in search of background material and inspiration for her next heart melting romance. She loves to hear from readers, and you may contact her at  <a href=”mailto:contact@RueAllyn.com” title=”Contact Rue Allyn” target=”_blank”>contact@RueAllyn.com</a>. She can’t wait to hear from you.

Find Rue One Line:

social media links—

FB– https://www.facebook.com/groups/RueAllynCrew/

Twitter– http://twitter.com/RueAllyn

Blog– https://www.rueallyn.com/blog/

Amazon– http://www.amazon.com/Rue-Allyn/e/B00AUBF3NI

Email—Rue@RueAllyn.com

Goodreads– http://www.goodreads.com/author/show/5031290.Rue_Allyn

Pinterest– http://www.pinterest.com/RueAllyn/

Tittle Tattle from the Banker’s Wife

A report from teatime at the home of Mrs. Woods, Banker’s wife:  Deadwood, SD, June 30, 1879

“I asked you all here to talk about our new schoolteacher and her sister.” Mrs. Woods leaned forward to whisper to make sure the women understood the importance of what she was going to say. “They boarded the stagecoach in Iowa and rode the rest of the way with me. I could tell they were lower class just by the way they were dressed in obviously homemade clothes. Why I heard there are ten children in their family. I would think their parents would know when to stop.”

“I hear she’s a very good teacher.” Mrs. Kincaid frowned. “I know my Thomas likes her and makes learning fun.”

“Hmph. I heard about some of her ways. Classes outdoors? Teaching needlework to boys and about bugs to girls? Why children should be taught by the rod. Memorization from the Bible is the best way to teach our young.”

Mrs. Kincaid set down her cup. “Have you seen what she’s had the older children do with their needlework? Why Thomas stitched the entire Lord’s Prayer. Sounds to me like she’s using the Bible.”

The other women nodded at Mrs. Kincaid’s comments. She needed to get these women and their husbands behind her to get an older, sterner man to teach their young, not some young, pretty thing that probably flirted with the older boys.

“Did you hear that as soon as Miss Lindstrom stepped from the stagecoach, Mr. Winson, owner of King’s Restaurant, had her on the ground and was laying on top of her? I’d say that’s a poor example for our youth.” She smirked at each woman. “Why, you would have thought she was destined for Al Swearingen’s brothel.”

“I was there.” Mrs. Kincaid said.

Good, it sounded as if the woman was on her side. Now to get the rest of them to see how improper the new teacher was.

“And I know you were, too, Mrs. Woods. So, you couldn’t have missed how Mr. Winson was trying to help her from the coach and that pack of dogs knocked them both into the mud.”

“Yes, but . . .”

“And being the gentleman he is, he tried to help her up.” Mrs. Kincaid sipped her tea, then set her cup on the matching saucer. “Have you ever had to step in that mess in the street? If you have, then you know how hard it is to extricate yourself.”

“But, then she and that sister of hers stayed at King’s Hotel.”

Mrs. Kincaid shook her head. “Where else were they supposed to stay? King’s is the only proper hotel in this town. Why didn’t you offer them your place if you’re so concerned about their virtue?”

The last thing she wanted was for two pretty young things to stay at her house. She wasn’t so naïve that she didn’t know what her husband was up to while she was back East. Time to change tactics.

“Well, then there’s her sister.”

“What about her sister?” Mrs. Kincaid sighed. “I hear she’s an excellent seamstress.”

“Humph. Mending for the men around here is being a seamstress? I suppose you approve of men going out to their house to bring their clothes to her. And I heard some of those brothel women approached her at King’s asking her to sew for them.”

Mrs. Kincaid set her cup down with enough force to crack the saucer. “I don’t know what your problem is, but you’d better learn the facts before you spread gossip. The men take their clothing to Haywood’s store. Then Sadie’s husband takes them to the Julia and picks them up when they are done. As for those women, I was in the restaurant, and I can assure you she turned them down.”

Mrs. Woods checked the watch pinned to her large bosom. She wasn’t making any headway. It was time to end this little tea party. “Needless to say, I’m going to keep my eye on them.”

“I’m sure you will, Mrs. Woods.” Mrs. Kincaid stood. “But I think your time would be better spent keeping any eye on that husband of yours.” She turned to her friends. “Come, ladies, I’m in need of some fresh air.”

About the Book

The Balcony Girl is the first book in “The Darlings of Deadwood,” series. It is a candidate for the InD’Tale RONE Award.

Deadwood teatime

When Julia Lindstrom and her sister, Suzanna, made the decision to move to Deadwood, South Dakota in 1879, Julia never suspected that she would meet her future husband, secretly befriend the madam of a brothel, or jump in to assist when disaster strikes the turbulent mining town. Can she survive all three?

Daniel Iverson followed the gold rush to Deadwood back when it was in its heyday, only to discover gold prospecting wasn’t the life for him. Now working as a lawyer, a case falls into his lap regarding a rash of recent illnesses affecting the men visiting the town’s saloons and brothels. Is it a disease or something more sinister?

Will a secret tear them apart or bring them together?

You can buy it here.

Coming soon

Deadwood Teatime

The School Marm, the second book in “The Darlings of Deadwood,” is still a Work in Process. This is Suzanna’s story. It started out a short story in the “Wild Deadwood Tales,” anthology and is being expanded into a full-length novel. Release is planned for later this summer.

Suzanna Lindstrom travels as a school marm in fledgling Deadood. Having left her parents’ struggling farm, she dreams of a better life in Deadwood with a man who’s struck it rich in the gold fields. Fresh off the stagecoach, she meets Kingston Winson, whom she disregards as disreputable. Is he who she thinks he is? What lesson will she learn?

“Missing Ellis,” is a short story in “Getting Wild in Deadwood,” anthology. It is a time travel involving the characters from both books.

Buy Link: Getting Wild in Deadwood

Deadwood

About the Author

Tina Susedik is an award-winning, Amazon best-selling, multi-published author with books in both fiction and non-fiction, including history, children’s, military books and romances. Her favorite is writing romantic suspense where her characters live happily ever after with a lot of problems in between. Tina also writes spicier romance as Anita Kidesu. She lives in northwestern Wisconsin where winters are long, summers short, and spring and fall beautiful.

Social Media Links for Tina Susedik

Website: www.tina-susedik.com

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The Libelous Letter

Mr. Clemens,

I write to demand a retraction. Your unscrupulous newspaper printed a libelous letter from an anonymous source in Kirkwall maligning our recently hired organist and choir director. I know it to be false.

To begin with, I received an identical unsigned letter, claiming immoral conduct on the part of our beloved Miss Dunning, and questioning the judgement of one of our most prominent merchants, Sir Alexander Bradshaw. (Yes, I dare name the names spelled out in the letter. You, Sir, hid behind initials!)

libelous letter

However, I have an advantage over you. I have known the gentleman in question for many years, and I can assure you he is a man of great integrity. In addition to that—and more to the point—I have a perceptive wife. She read the letter, tossed it down, pronounced an unladylike oath (for which I did not chastise her), and named the culprit. She immediately recognized the handwriting as a long-time choir member who frequently quarreled with the previous director, and who has disrupted Miss Dunning’s work with demands regarding traditional services, hymn choices, desirable (and undesirable) members of the choir, and any number equally petty and inappropriate complaints and demands. My Maud has frequent dealings with the woman over bake sales, church flowers, and the like and knows her handwriting well. She also knows her as a quarrelsome baggage.

libelous letter

While I generally attempt to avoid getting in the middle of disputes between individuals, I was forced to call this woman to task. Though she denied writing the letter to my face, I made clear she will be expelled from choir and perhaps the parish if any further malice occurs.

Finally, Sir, I am pleased to report to you that Sir Alexander Bradshaw and Miss Ann Dunning were married in my presence this week past.

Kindly print a retraction, and I suggest you confine your deplorable reporting to more serious matters in the future.

The Reverend Edmund Salter, Bishop of Kirkwall, Orkney, Scotland

*****

Editor’s note: The editor of the Teatime Tattler believes the correct form of address of any clergyman of any rank in the Church of Scotland is in fact, “Mister.” However, we will forgive Mr. Salter’s attempt to impress us, leave any complaints to his church’s Assembly, and print his letter as the retraction he demands.

About the Book

Sir Alexander Bradshaw, solid Scots merchant, needs to acquire a wife, a sensible woman who can manage his unruly sons and sullen daughter. As Orkney’s long, dark winter approaches with no suitable candidates, an acquaintance suggests a music teacher might occupy his daughter. He embraces at the idea.

Ann Dunwood let herself be lured to Orkney by the opportunity to play The Kirkwall Organ. For the beauty of the instrument, she can endure the tedium of choirs and parishioners who wish only for the most banal of hymns; she’s done it before. She knows how to fade into the shadows and keep to her place.

When Alec comes upon her filling the cathedral with a Bach fugue he is enchanted by the magical creature at the keyboard. The object of his fascination sinks into a demure young woman when the music ends. Alec determines to get the magical creature back, and quickly discovers she can fill his life with the music it sorely needs. How long before their solos become a duet?

About the Author

Caroline Warfield, a Bluestocking Belles, pens family-centered historical romance, primarily regency and early Victorian, from her office in the urban wilds of eastern Pennsylvania when she isn’t traveling.

The Caricaturist Strikes

It was clearly my duty to visit my friend, Mr. Charles. I knew he would be most distressed when he sees this morning’s newssheet, for prints by Corvus, London’s most scandalous caricaturist, bring him a good deal of revenue. They also provide fodder for the Teatime Tattler.

Soon we were cozily ensconced in his office at B.P. Charles and Co, Stationers, in the Strand, tea and plum cake before us. I pulled the offending newssheet from my bag. “Look at this. How ghastly!”

caricaturist

Corvus mocks the cream of English society—most recently, Lady Rosamund Phipps. The headline read: At all costs, Corvus must be unmasked!

Was he distressed? “Not at all, my dear girl. This is excellent publicity,” Mr. Charles said.  

“In what possible way?” Everyone longs to unmask Corvus, but how dreadful if it meant he could no longer produce such scandalous caricatures. In his latest, he well-nigh accused Lady Rosamund of murdering her footman, suggesting that the poor man had refused to take her husband’s place in her bed. “If his identity were disclosed, he would no longer have access to the scandalous doings of the beau monde,” I said. “If he is a gentleman, society would shun him; if a servant, he would be thrashed.”

“He won’t be unmasked,” Mr. Charles said smugly. “If I, who receive his drawings regularly, have not yet learned his identity, who is likely to do so?”

I eyed him narrowly. “Have you tried to unmask him?”

He bristled. “No, for he wishes to remain anonymous, and I respect that.”

More likely, he respects the amount of money he makes from selling the prints. I gave him a Look.

He chuckled, but then we were interrupted by his assistant. “Mr. McBrae to see you, sir.”

“Show him in,” Mr. Charles said, “and bring another cup and plate.”

A dark-haired gentleman of medium height appeared, and we were duly introduced. “Mr. McBrae does etchings for me,” Mr. Charles said, showing him the newssheet. “You’ll find this nonsense amusing.”

caricaturist

“Aye, I saw that claptrap.” Mr. McBrae helped himself to a slice of plum cake. “Lady Rosamund won’t be arrested for murder. She’s the daughter of an earl.”

“Perhaps not,” I said, “but how unkind of Corvus to mock her. She can’t help it if her husband is unfaithful.” I paused. “Although it is rather strange that she is bosom friends with his mistress—but such a situation is not unprecedented in the ton. Perhaps it is her attempt to pretend nothing is wrong, poor thing.”

Mr. McBrae snorted. “No need to feel sorry for her. She found the caricature amusing.”

“How do you know this?” Excitement gripped me. “Have you met Lady Rosamund?”

“We were introduced.” He rolled his eyes. “She’s far above my touch.”

Evidently so, for although he spoke like a gentleman, he must be poor indeed if he scrapes a living from doing etchings. But how thrilling to meet the daughter of an earl! “What is she like?”

He shrugged. “Well-mannered, but aware of her own worth.”

That was only to be expected—and not the least bit scandal-worthy. “Tell me, Mr. McBrae—do you think she pushed the footman down the stairs?”

“Not at all,” he scoffed. “If she wanted to get rid of a footman, she would merely dismiss him.”

“But in a fit of temper…?” I suggested. Aristocrats are notoriously capricious.

“I doubt she would have found the caricature amusing if she actually were guilty.”

I sighed. Not that I wished Lady Rosamund to be a murderess, but scandal is the lifeblood of the Tattler.

“Just wait till you see his next effort,” Mr. Charles said with a twinkle.

Mr. McBrae cocked his head. “What has he pulled out of his sleeve now?”

Mr. Charles grinned. “That would be telling.”

Surprised, I asked Mr. McBrae, “Do you not do etchings of Corvus’ drawings?”

He shook his head. “No, for I work at my lodgings. Once drawings by Corvus are in Mr. Charles’s hands, he keeps them very close indeed. Attempts have been made to steal them, most likely by another printer.”

“Heavens!” I assumed on my coyest expression. “Dear Mr. Charles, pray give me some small clue about the new caricature?”

“It will embarrass Lady Rosamund,” he said.

I huffed. “That’s not a clue. His caricatures always embarrass someone.”  

“Yes, but I fear she will find this one particularly upsetting.”

Odious man, to tease me so! “Fine, but is what he depicted true?”

“How should I know?” Mr. Charles said. “By what I have heard, her maid is impervious to bribes, and I expect the other lady’s maid is—” He coughed. “How indiscreet of me.”

“Which other lady?” I cried.

But he wouldn’t say another word, and although Mr. McBrae sent me a sympathetic glance, he knew nothing useful.

Well! I am no fool. Mr. Charles was indiscreet on purpose. He expects me use what little he said to drop several improper hints in the Tattler. So I shall—whilst hoping that no one unmasks Corvus!

About the Book

Lady Rosamund and the Poisoned Pen

Lady Rosamund Phipps, daughter of an earl, has a secret. Well, more than one. Such as the fact that she’s so uninterested in sex that she married a man who promised to leave her alone and stick to his mistress. And a secret only her family knows—the mortifying compulsion to check things over and over. Society condemns people like her to asylums. But when she discovers the dead body of a footman on the stairs, everything she’s tried to hide for years may be spilled out in broad daylight.

First the anonymous caricaturist, Corvus, implicates Lady Rosamund in a series of scandalous prints. Worse, though, are the poison pen letters that indicate someone knows the shameful secret of her compulsions. She cannot do detective work on her own without seeming odder than she already is, but she has no choice if she is to unmask both Corvus and the poison pen.

Will Corvus prove to be an ally or an enemy? With the anonymous poison pen still out there, her sanity—and her life—are at stake.

Buy links:

Amazon US: https://www.amazon.com/dp/B087BBLLNL/

Amazon UK: https://www.amazon.co.uk/dp/B087BBLLNL/

Amazon Canada: https://www.amazon.ca/dp/B087BBLLNL/

Amazon Australia: https://www.amazon.com.au/dp/B087BBLLNL/

Barnes and Noble: https://www.barnesandnoble.com/w/lady-rosamund-and-the-poison-pen-barbara-monajem/1136829963

Kobo: https://www.kobo.com/us/en/ebook/lady-rosamund-and-the-poison-pen Apple: https://books.apple.com/us/book/lady-rosamund-and-the-poison-pen/id1507264864

About the Author

Rumor has it that Barbara Monajem is descended from English aristocrats. If one keeps to verifiable claims, however, her ancestors include London shopkeepers and hardy Canadian pioneers. As far as personal attributes go, she suffers from an annoying tendency to check and recheck anything and everything, usually for no good reason. Hopefully all this helps to explain her decision to write from the point of view of a compulsive English lady with a lot to learn about how the other ninety-nine percent lived in 1811 or so.

As for qualifications, Barbara is the author of over twenty historical romances and a few mysteries, for which she has won several awards. On the other hand, she has no artistic talent and therefore is really stretching it to write about an artist who draws wickedly good caricatures. But she’s doing it anyway, because he’s irresistible. To her, anyway. Not so much to the aristocratic lady. Or at least not yet.

Social media links:

Website: http://www.BarbaraMonajem.com

Facebook: http://www.facebook.com/barbara.monajem

Twitter: http://twitter.com/BarbaraMonajem

Goodreads: https://www.goodreads.com/author/show/3270624.Barbara_Monajem

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